Friday, July 20, 2018
‘Sweet Land’ is a Satisfying Experience
Hugh Hastings, Michael Winters, Pam Nolte, Molli Corcoran, Tyler Todd Kimmel, Daniel Stoltenberg, April Poland and Chris Shea. (Photo by Erik Stuhaug)
Seattle’s Taproot Theatre often takes chances presenting plays and musicals based on works that are not that well-known instead of tried-and-true favorites. It can be difficult to drum up interest in such productions. Even though the theatre’s current production of Sweet Land is based on the 2006 movie of the same name, it is an independent movie and not too many people are aware of it, but they should. Taproot has the distinction of being the west coast premiere location for the musical which just might be the start for this new show.
The story of Sweet Land is a simple one. In 1920, a young German woman named Inge (Molli Corcoran) agrees to cross the sea to marry Olaf (Tyler Todd Kimmel) a Norwegian man whom she has never met. She knows very little English and on her journey has worked hard with one phrase, “I could eat a horse” finding that it isn’t as useful as she might have thought. The plan was for Olaf to pick up Inge at the train station and head straight to the church to be married. But there is a hitch. Still bruised from World War I, many residents of Park Rapids, Minnesota as suspicious of Germans thinking that Inge could be a spy. This includes Pastor Sorenson (Hugh Hastings) who refuses to marry the couple unless they can come up with some sort of references for the girl, preferably from a clergy member from her hometown. The justice of peace in town also refuses. The couple can’t get married and they can’t live in the same house as it would appear to not only scandalous but also against Inge’s and Olaf’s own religious upbringing.
To make matters even more difficult, Olaf is extremely shy and actually avoids his bride who is having her own hard time fitting in. Alvin and “Brownie” Frandsen (Chris Shea and April Poland) take in the girl to live with their rather large family while things get sorted out. Brownie shows Inge how to read American recipes and despite his uncertain feelings for Inge, Pastor Sorenson agrees to teach Inge English using the Bible as his guide. Still, suspicion and prejudice abound.
On top of everything else, Sweet Land has a rather “sweet” message about the value of sexual purity of all things. As the audience, we get to see how this innocent romance between two strangers bloom. Both Inge and Olaf avoid any act or behavior that could be considered improper. The romance grows naturally and the two long for the day when they can finally be wed to experience all the joys that marriage has to offer. The story is a refreshing one and speaks volumes to many people today who hardly scoff at a one-night-stand.
I haven’t seen the movie and suspect that it is considered more of a drama than anything else. But the stage play has plenty of laughs in this fish out of water comedy. Kimmel and Corcoran are especially good as the potential love birds. I don’t know if Corcoran spoke German before she was cast in the play, but you’d never know if she hadn’t. Both she and Kimmel are very animated and their facial expressions are tell us everything that they are thinking without saying a word. The story moves at a good pace and music is pleasant enough and doesn’t pull the audience away from the story. There is an auction scene that is tied to a musical number that is especially good at creating tension. The musicians include Michael Matlock (piano), Dexter Stevens (reeds), Emily Ravenscraft (violin) and Leah Pogwizd (bassist). The cast is rounded out with Jenny Cross, Michael Winters, Pam Nolte and Daniel Stoltenberg, all equally good.
The only negative I found with Sweet Land is the portrayal of Pastor Sorenson. While on one hand he is scene a pillar of the community and one that is fully involved in helping the various neighbors during their crop’s harvests. On the other hand, he is shown as a judgmental jerk who assumes the worst about Olaf and Inge’s relationship and even spreads rumors about the two. Haven’t we had enough stories about judgmental clergy members? Isn’t it time to have stories that represent pastor and priests with good hearts and good examples for a change? They do exist.
Tickets can be purchased online, by phone at 206-781-9707 or in person at the Box Office. Tickets range from $27-$50 depending on the performance. The theatre does offer some discounts, so be sure to visit their website to take advantage of them. Sweet Land is recommended for those age 12 and older. Taproot Theatre is located at 204 N 85th St. in Seattle.